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Absinthe: New European Writing
is
co-hosting
a
festival
of
new
European
film
and
writing
with
Oakland
University
on
May
9-10,
2008.
Sponsored
by
the
Judd
Endowment,
Office
of
the
Provost,
College
of
Arts
&
Sciences,
Department
of English,
Department
of
Modern
Languages
and
Literatures,
and
Concentration
in Film
History
and
Aesthetics.
Click
here
for
a
map
with
directions
to
Oakland
University.
All
events
are
FREE
and
open
to
the
public.
The
full
schedule
is
below.
Friday,
May
9,
2008
in
the
Oakland
Center
at
Oakland
University
(lower
level
Lake
Rooms):
7:00-10:00
PM
The
Ann
Arbor
Film
Festival
will
present
a
selection
of
short
films
from
Europe.
The
Irish
poet
Eamonn
Wall
will
read
selections
of
his
poetry.
Wall
was
born
in
Enniscorthy,
County
Wexford,
Ireland.
His
poetry
has
been
published
widely
in
Ireland
and
in
the
U.S.
His
books
include
Dyckman-200th
Street,
(Salmon,
1993),
Iron
Mountain
Road
(Salmon,
1997),
and
The
Crosses
(Salmon,
2001).
In
addition,
Wall
regularly
contributes
book
reviews
and
articles
on
Irish
fiction.
The
Belarusian
poet
Valzhyna
Mort,
author
of
Factory
of
Tears,
will
read
poems
from
her
collection.
Mort
was
born
Valzhyna
Martynava
in
1981
in
Minsk,
Belarus.
Her
work
has
been
translated
into
many
European
languages,
and
has
appeared
in
various
literary
magazines
and
anthologies,
including
an
Anthology
of
Belarusian
Poetry
(Sofia,
2002).
See
the
cover
story
on
Valzhyna
in
the
May/June
issue
of
Poets
&
Writers
magazine.
“Valzhyna
Mort
is
electrifying.”
—Franz
Wright
(photo:
©
Olaf
Kuhl)
A
silent
auction
will
also
take
place
on
Friday
evening
with
proceeds
to
benefit
the
festival.
The
first
100
guests
will
receive
a
free
copy
of
the
current
issue
of
Absinthe:
New
European
Writing.
Free
dessert
and
drink
will
be
provided,
and
door
prizes
will
be
raffled
off
throughout
the
evening.
Saturday,
May
10,
2008
in
the
Oakland
Center at
Oakland
University
(main
level
Gold
Rooms):
10:00
AM--A
screening
of
the
German
film
Yella
(preceded
by a
selection
of
short
films
by
Oakland
University
students):
Determined
to
escape her estranged husband after he attempts to kill them both by driving their car over a bridge, small-town East German girl Yella (Nina Hoss) sets out to create a new life for herself in metropolitan Hanover, West Germany. She finds a job with Philipp (The Counterfeiters' Devid Striesow), a hard-bargaining venture capitalist who introduces her to the thrills of the negotiating table – where Yella's icy beauty and demeanor are assets as valuable as her quick wit. Attracted as she is to the business world in which she is beginning to achieve a measure of success, Yella is also attracted to Philipp – with whom an affair inevitably begins. But she is simultaneously distracted by something sinister just beyond her, and our, ken: is it the past catching up with her, or is it the future that looms? What is she remembering, hallucinating or foreseeing?
A superb metaphysical thriller this film is crafted by acclaimed writer-director Christian Petzold. The title role is played by Nina Hoss, who was awarded the 2007 Berlin Film Festival’s Silver Bear for this performance.12:30-1:00--Lunch will be provided for festival attendees
1:00
PM--A
reading
by
the
Detroit-area
writers
and
translators
Doris Runey,
Keith
Taylor,
and
Marilynn
Rashid.
Doris
Runey
teaches
at
Oakland
University.
A
writer
and
translator,
her
book
A
Cinematic
Translation
of
Ionel
Teodoreanu's
Lorelei:
Creating
a
Film
Script
from
a
Classic
Romanian
Novel
was
published
last
year.
Keith
Taylor
coordinates
the
undergraduate
program
in
creative
writing
at
the
University
of
Michigan
and
has
published
eleven
volumes:
collections
of
poetry
and
short
fiction,
edited
volumes,
and
translations.
Marilynn
Rashid
teaches
Spanish
at
Wayne
State
University
in
Detroit,
Michigan.
Recent
poems
and
translations
have
appeared
in
Marlboro
Review,
Nimrod
International
Journal,
and
Runes.
2:00
PM--A
screening
of
the
Romanian
film
The
Way
I
Spent
the
End
of
the
World
(preceded
by a
selection
of
short
films
by
Oakland
University
students):
The
film
takes
place
during
the
last
year
of
Ceausescu's
dictatorship
in Bucharest,
1989.
Eva,
17,
lives
with
her
parents
and
her
7
year-old
brother
Lalalilu.
One
day
at
school,
Eva
and
her
boyfriend
accidentally
break
a
bust
of
Ceausescu.
They
are
forced
to
confess
their
crime
before
a
disciplinary
committee.
Eva
is
expelled
from
school
and
transferred
to a
reformatory
establishment.
There
she
meets
Andrei
and
decides
to escape Romania with
him. Lalalilu
is
more
and
more
convinced
that
Ceausescu
is
the
main
reason
for
Eva's
decision
to
leave.
So,
with
his
friends
from
school,
he
devises
a
plan
to
kill
the
dictator.
The
Way
I
Spent
the
End
of
the
World
appeared
at
several
film
festivals,
including
the
Toronto
International
Film
Festival,
the
Berlin
International
Film
Festival,
and
the
Cannes
Film
Festival.
4:30
PM--A
reading
by
Polish
poet
Piotr
Sommer
and
translator
Bill
Martin
Piotr
Sommer
is a
poet
and
translator
of
contemporary
English-language
poetry,
including
the
work
of
Frank
O'Hara,
John
Ashbery,
Robert
Lowell,
and
many
others.
He
has
published
several
dozen
books
of
poetry,
literary
criticism,
and
anthologies.
He
also
writes
poetry
for
children
and
is
editor
of
the
monthly
Literatura
na
Swiecie/World
Literature.
Continued
(Wesleyan
University
Press,
2005),
his
first
book-length
collection
of
poetry
translated
into
English,
gathers
poems
from
his
previous
Polish
publications.
He
lives
outside
Warsaw.
Bill
Martin
is a
literary
translator
of
Polish
and
German
and
a
former
editor
of
Chicago
Review.
He
lives
and
teaches
in
Chicago.
7:00
PM--A
screening
of
the
Russian
film
The
Island
(preceded
by a
selection
of
short
films
by
Oakland
University
students):
Filmed on the bleak and beautiful shores of the White Sea, the movie patiently observes the tempestuous solitude of Anatoly, a monk who served aboard a barge during World War II. He was captured by Germans and coerced into shooting his captain to save his own life. He survived and was taken in by monks at an island monastery.
His sin pushes him to the brink of insanity, but it does not stop him from playing the edgy prankster with his fellow monks or serving as an oracle to local villagers. A story of a "wise fool" healer atoning for a wartime crime,
The Island asks the favorite Russian question: Who is guilty? And to that, it adds another: How can we be redeemed?
The
Island
was
shown
at
several
film
festivals,
including
the
Toronto
International
Film
Festival,
the
Venice
International
Film
Festival,
the
Sundance
Film
Festival,
and
the
London
Film
Festival,
and
was
awarded
five
major
Nika
Awards
(Russian
Oscars).
Presentation
of
The
Island
is
generously
underwritten
by
the
Council
of
Orthodox
Christian
Churches
of
Metropolitan
Detroit
(COCC)--Promoting
Orthodox
Christianity
Since
1957

The
Oakland
University/
Absinthe
Festival
of
New
European
Film
and
Writing
is
supported
by
the
Michigan
Council
for
Arts
and
Cultural
Affairs
and
Oakland
County
Arts
&
Culture.


We
have
arranged
hotel
accommodations
for
festival
attendees
at
the
Crowne
Plaza--Auburn
Hills.
To
receive
the
special
rate
($79
+taxes)
contact
the
hotel
at
(248)
373-4550
and
let
them
know
you'll
be
attending
the
festival
or
make
your
reservations
online
here.
For
additional
information
about
the
festival
contact
Dwayne
Hayes
at
dhayes@absinthenew.com.
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